• All the above improvements were achieved without raising the units power consumption.

• K-slot for theft protection.

• 6 samples less latency on the AD side by new ADC (5 samples AD, 7 samples DA. It won't get quicker...).

RME Babyface Pro

• 3.5 mm TRS phones output power rises from 70 mW to 90 mW. THD of both phones outputs improved by up to 10 dB. Uses same output op-amps as ADI-2 Pro now. Output impedance of 3.5 mm TRS lowered from 2 Ohms to 0.1 Ohms.

• Mic inputs SNR improved from 112.2 dB to 113.7 dB, TRS Line inputs SNR improved from 114 dB to 116.3 dB (120 dBA). THD Line inputs improved by 8 dB.

• 6 samples less latency on the AD side by new ADC (5 samples AD, 7 samples DA. It won't get quicker...).

• +19 / +4 dBu switch on the bottom adds a direct way to reduce the output level, thus improves SNR for sensitive active monitors, avoids distortion / overload, and helps to keep TotalMix FX faders near 0 dB instead of high attenuations.

• Full SteadyClock FS circuit as in the ADI-2 Pro FS for lowest jitter and highest jitter immunity.

• 3.5 mm TRS phones output power rises from 70 mW to 90 mW. THD of both phones outputs improved by up to 10 dB. Uses same output op-amps as ADI-2 Pro now. Output impedance of 3.5 mm TRS lowered from 2 Ohms to 0.1 Ohms.

• Interface: USB 2.0, bus-powered

• Comes with DIGICheck, RME's ultimate measurement, analysis and test tool

RME MADIface USB

128 Channel Mobile MADI Usb Interface unit

• Seamless Redundancy operation with both inputs

• TotalMix: 2048 channel mixer with 48-bit internal resolution

• TotalMix: latency-free submixes and perfect ASIO Direct Monitoring

• Interface: USB 2.0, bus-powered

• Comes with DIGICheck, RME's ultimate measurement, analysis and test tool

• Inputs/Outputs:2 x MADI I/O, optical and coaxial (BNC)

• MIDI input and output: via virtual MIDI port

• Clock modes: master (internal) and slave (MADI input)

• Sample rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz, variable (Sync/DDS)

• Jitter: < 1 ns, internal and all inputs

• Jitter sensitivity: PLL operates even at 100 ns Jitter

RME Fireface 800

Output Digital: 2 x ADAT optical or SPDIF optical, SPDIF coaxial (AES/EBU compatible)

MIDI: 1 x MIDI I/O via 5-pin DIN jacks, for 16 channels low jitter hi-speed MIDI

The Fireface 800 is the world's most powerful FireWire audio interface ever. Up to 56 channels record/playback, up to 192 kHz sample rate, and true FireWire 800 sum up to an unsurpassed high-end, high performance and high speed FireWire audio interface.

Input AD: 8 x 1/4" TRS, 4 x XLR Mic, 4 x 1/4" TRS Line, all servo-balanced. 1 x 1/4" TS unbalanced

Output DA: 8 x 1/4" TRS, servo-balanced, DC-coupled signal path. 1 x 1/4" TRS unbalanced

Input Digital: 2 x ADAT optical or SPDIF optical, SPDIF coaxial (AES/EBU compatible)

RME FIREFACE 802

The Fireface 802 provides 60 channels of audio: 30 input and 30 output channels.

All inputs and outputs can be used at the same time. Up to 12 analog and 18 digital channels can be recorded onto 30 tracks separately.

RME Fireface UFX

30 Input / 30 Output channels

12 x Analog I/O4 x Mic/Instrument Preamp, digitally controlled

1 x AES/EBU I/O2 x ADAT I/O (or 1 x ADAT I/O plus 1 x SPDIF I/O optical)

1 x Word Clock I/O

2 x MIDI I/O

1 x FireWire 400

1 x USB 2.0TotalMix FX

RME HDSPE MADI PCI cards

The HDSPe MADI is RME's both inexpensive and outstanding PCI Express card with MADI interface. HDSPe MADI is based on the award-winning HDSP MADI card, and represents the new top model of this world-wide successful card line.

The PCI Express card consequently uses all advantages of the MADI format, the professionals' multi-Channel audio interface, offering 64 channels of 24-bit audio at a sample rate of up to 48 kHz, 32 channels at up to 96 kHz and 16 channels at up to 192 kHz. Transmission is done via a single line, either coaxial with BNC plugs or by fiber cable. In both cases more than 100 m cable length can be achieved.

Motu 828 Mkii and Mkiii

The 828mk3 Hybrid provides virtually identical features to the 828x (including USB 2.0 support), except that instead of Thunderbolt, it provides FireWire connectivity to any FireWire-equipped Mac or PC. The connectors are "Type B" jacks typically used for FireWire 800, but they operate as standard FireWire 400 ports and are compatible with any FireWire port on your computer (A or B).

• Hi-speed USB 2.0 & 3.0 compatible

• FireWire 800

• 28 inputs and 30 outputs

• Recording up to 192 kHz

• Studio-grade mic channels

• On-board digital mixer with effects

Motu Ultralite mkiii Hybrid

The Ultralite-mk3 Hybrid is MOTU's most compact and versatile audio interface, featuring hybrid FireWire/USB2 connectivity to your Mac or Windows computer, on-board mixing and effects, superb sound and reliable performance.

As the first-ever "hybrid" audio interface of its kind, the UltraLite-mk3 Hybrid provides flexible and mobile operation via FireWire or hi-speed USB2 connectivity to a Mac or PC computer, with professional audio quality at samples rates up to 192 kHz and plenty of I/O, including two mic/instrument inputs, six line-level analog inputs, ten channels of analog output, stereo S/PDIF and a stereo headphone output.

MOTU 24 I/O

The MOTU Audio 24I/O interface fulfills the promise of host-based hard disk recording: to record, edit, mix process, and master multitrack recording projects entirely inside the computer. It provides 24 high quality, 24-bit/96kHz analog inputs and outputs in a cost effective, single rack space package, allowing you to connect and record from 24 simultaneous analog sources.

• Expandable - connect up to four 24I/O units to a PCI-424 audio card for a total of 96 inputs and outputs. Use as many simultaneous channels as host software and computer allow.

• 100% compatible with all MOTU Audio Wire interfaces. Mix and match MOTU audio interfaces (up to four at once) to meet your exact I/O needs.

• ASIO drivers for Mac OS and Windows - provides multi-channel 24-bit I/O for all leading ASIO-compliant audio software on both computer platforms.

• Multichannel WDM driver - provides simultaneous inputs/outputs for all Windows audio applications that support standard WDM and multi-channel Wave drivers.

• 100% compatible with VST, MAS, Premiere, DirectX, and all other host-based native plug-in formats supported by today's popular audio programs. Does not require proprietary plug-ins.

• Word clock - resolves to time code or any other external time base via MOTU's Digital Timepiece synchronizer or any other standard digital audio synchronization device.

• Resolves directly to SMPTE time code (LTC) with fast lock-up and sub-frame accuracy.

Waves DigiGrid MGB

Waves Digigrid D

Digico UB-MADI

Apogee da-16 & da-16

The AD-16X & DA-16X are sixteen channel analog to digital converters, housed in a single rack space chassis. The units features a redesigned power supply, standard 192kHz sampling rates and the same C777 clocking technology found in Apogee's Big Ben master clock for jitter free conversion.

The ability to install optional Pro Tools HD and FireWire expansion cards make the AD-16X & DA-16X powerful and flexible conversion combinations. Not only do the units offer advanced conversion technology, but makes it available at a fraction of the cost previously associated with premium Apogee gear.